The SCL
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4:29
How Many Live Musicians Does My Score Need? | Seminar Clips
The SCL
64 views • 2 months ago
5:00
How Music Gets Made (or Chosen) for Video Games | Seminar Clips
The SCL
39 views • 2 months ago
3:46
The First Steps of Composing a Film Score | Seminar Clips
The SCL
550 views • 2 months ago
5:35
Making Podcast Music (the Ins and Outs) | Seminar Clips
The SCL
22 views • 3 months ago
3:39
Bela Fleck's Advice to Mark Evitts About Finding One's Voice | Seminar Clips
The SCL
16 views • 3 months ago
4:14
Nicolás Repetto Breaks Down Themes of Empire Queen: The Golden Age of Magic | Screening Q&A Clips
The SCL
25 views • 3 months ago
3:28
How the Theme of Planet Earth III Went Back to the Drawing Board | Screening Q&A Clips
The SCL
31 views • 3 months ago
1:43
The Divide-And-Conquer Strategy on the Music of Gen V | Screening Q&A Clips
The SCL
19 views • 3 months ago
3:43
Anže Rozman and Camilo Forero on the Many Great Minds Behind Beckham | Screening Q&A Clips
The SCL
116 views • 3 months ago
2:35
The Origin of the AHS: Delicate Lullaby | Screening Q&A Clips
The SCL
18 views • 3 months ago
3:46
Segun Akinola's Reinvention of an Agatha Christie Mystery Score | Screening Q&A Clips
The SCL
13 views • 4 months ago
3:13
Sherri Chung's Fresh Approach to Tension in Based On A True Story | Screening Q&A Clips
The SCL
29 views • 4 months ago
2:58
Tom Howe on Finding the Sound for the Score of Knuckles | Screening Q&A Clips
The SCL
17 views • 4 months ago
1:44
Writing Maximus's Theme with Fallout Composer Ramin Djawadi | Screening Q&A Clips
The SCL
36 views • 4 months ago
2:34
Storytelling and Silence: Kara Talve's Score for The Tattooist of Auschwitz | Screening Q&A Clips
The SCL
61 views • 4 months ago
5:12
How the Composers of Shōgun Found Their Sound | Screening Q&A Clips
The SCL
60 views • 4 months ago
2:04
How Emily Rice Uses Emotional Intelligence as a Composer | Screening Q&A Clips
The SCL
24 views • 4 months ago
1:36
Mac Quayle on Dealing with Doubt While Scoring The Great Lillian Hall | Screening Q&A Clips
The SCL
27 views • 4 months ago
2:06
Scoring Quiet On Set in the Dark with Ian Hultquist | Screening Q&A Clips
The SCL
25 views • 4 months ago
2:05
How the Music of The Gilded Age Changed Between Its First and Second Seasons | Screening Q&A Clips
The SCL
51 views • 4 months ago
2:25
Blair Mowat's Kitchen Sink Approach to the Instrumentation of Nolly | Screening Q&A Clips
The SCL
8 views • 4 months ago
3:44
How Jeff Russo Avoided "Empathizing With A Killer" On Ripley Score | Screening Q&A Clips
The SCL
43 views • 4 months ago
2:19
Vince Pope's Creative Freedom and Flexibility Showcased in True Detective | Screening Q&A Clips
The SCL
18 views • 4 months ago
3:02
Takeshi Furukawa on Scoring Prince Zuko's Storyline and Other Character Arcs | Screening Q&A Clips
The SCL
43 views • 4 months ago
3:33
The Newton Brothers on Playing Their Own X-Men '97 Score | Screening Q&A Clips
The SCL
23 views • 4 months ago
2:08
A Tough Act to Follow for David Fleming on Jim Henson: Idea Man | Screening Q&A Clips
The SCL
19 views • 4 months ago
3:21
Scoring The Crown Finale with Martin Phipps | Screening Q&A Clips
The SCL
25 views • 4 months ago
2:00
Joseph Trapanese on Scoring Retro Alien Horror - WITHOUT Synths | Screening Q&A Clips
The SCL
35 views • 4 months ago
2:31
Federico Jusid's Return to Lyricism for the Score of A Gentleman In Moscow | Screening Q&A Clips
The SCL
16 views • 4 months ago
2:36
Paul Leonard-Morgan's "Kettle Test" Method for a Memorable Main Title | Screening Q&A Clips
The SCL
16 views • 4 months ago
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