Seeing the Unseeable: Kabblistic Imagery from the Library of the Jewish Theological Seminary showcased the ways in which artists made elements of the divine visible through artistic expression. In this highlight from the Summer 2024 exhibit, Dr. Marcus Mordecai Schwartz presents an The Book of Raziel, a book of practical kabbalah. He explains the usage of this kind of book in relationship to the story of Lillith, Adam's first wife.

ABOUT THE EXHIBIT
The spread of classical philosophy among Jews in the medieval period posed a significant challenge to traditional conceptions of divinity. While the God of the bible and rabbinic literature was a personal, anthropomorphic, and specifically Jewish God, the God of the philosophers was abstract, impersonal, and universal. To bridge the increasingly abstract and transcendent God of the philosophers with the personal and anthropomorphic God of Jewish tradition, the Kabbalists elaborated the doctrine of the sefirot, the ten divine attributes that emanated from within God and through which God interacts with creation.

According to the Zohar, the classic work of the theosophical Kabbalah, despite God’s transcendence, God can be apprehended via the “gates of the imagination.” We invite you to enter these gates and explore the visual worlds of the Kabbalah included in our exhibition. Whether in their theoretical treatises, diagrammatic scrolls, devotional plaques, or magical amulets, images were central to how Kabbalists presented their complex metaphysical ideas, depicted invisible realities, cultivated religious experience, and manifested divine power.