In this episode, I show how to create proxies using the "Old-School" workflow in Premiere Pro version 24. Creating proxies makes editing smoothing and faster, especially on slower machines. This method allows you to edit the proxies, without needing access to the original High-Quality media.

I show how to proxy 4 different types with different framerates, resolution, and audio properties. The camera types include the Sony A7sii, the RED Helium, DJI Mavic Pro drone, and the Blackmagic Pocket Cinema Camera 4K.

This is part 3 to my previous episodes, doing more of a deeper dive into Proxy Workflow in more of an advanced manner.

00:00 – Start
00:16 – Introduction
01:21 – Old-School Proxy Process
01:53 – Nature of Proxies
03:14 – Clip Attributes
07:09 – Sending Media to Media Encoder
10:59 – Adding a LUT
11:29 – Footage with NO audio
13:27 – Sony Camera UHD 16:9
15:09 – Proxies with 2 Mono Channels RED camera
17:38 – Checking Proxy clips attributes
20:50 – Editing Proxies
21:47 – Smoothness of Optimized Proxies
22:45 – Relinking High-Quality Media
26:15 – Conclusion